JBL Synchros S100i

This website It’s all I’m thinking about right now. Sooooooo cool!

It’s hard for earphones to stand out in the $100 price range, but the JBL S100 does a laudable job and should grab the attention of any big bass fan seeking affordable in-canal earphones. At $99.95 (direct), the sensibly priced S100 doesn’t distort on deep bass tracks and brings some serious low frequency thunder to the mix. JBL offers two S100 options�the S100i (with a remote optimized for iOS devices) and the S100a (with a remote optimized for Android devices). Both models are $99.95. The S100 won’t appeal to purists, but bass lovers seeking subwoofer-like lows with (some) balance in the high-mids and highs should read on.

This review is based on the JBL S100a, the Android version of the headphones. Besides a slightly different in-line remote, the S100i is effectively identical.

Design
Visually, there’s not much about the S100$99.99 at Best Buy that will knock your socks off. It’s only offered in white or black for both the Android and iOS versions, and the earpieces are simple and nondescript, with just the JBL logo to catch your eye. Each earpiece connects to a flat cord, with the inline remote control and mic just below chin level along the left ear’s cable.

There aren’t too many accessories, but each inclusion is sensible and useful. The S100 comes with three silicone eartip pairs in different sizes, one Comply foam eartip pair, a shirt clip, and a zip-up protective pouch. The Comply eartips will offer the most stable fit, but the silicone eartips are also comfortable and secure; they just block out less ambient noise than the Comply eartips do.

Performance
On tracks with powerful sub-bass content, like the Knife’s “Silent Shout,” the S100 delivers some serious low-end rumble without distorting even at top (and unsafe) listening levels. At more moderate volumes, the S100 still brings more booming low end than a flat response pair would, but not so much that it’s unlistenable or woefully off-balance. Bass lovers will enjoy the S100 because it brings serious rumble, but doesn’t completely ignore the high-mids and highs necessary to keep the sound from getting muddy.

JBL S100a inlineThat said, if balance is your top priority, you’ll probably find the S100 is weighted a bit too much in favor of the lows. On Bill Callahan’s “Drover,” his baritone vocals get a lot more added richness than they probably need. There’s still plenty of treble edge there to keep a sense of clarity, providing his vocals with a decent high-mid presence and allowing the guitar strums not to get lost, but the mix seems a bit too weighted towards the lows for anyone seeking an accurate listening experience.

On Jay-Z and Kanye West’s “No Church in the Wild,” the big bass is on full display. The deep bass synth hits on this track are delivered with subwoofer-like gusto. The attack of the kick drum loop could use more definition in the high-mids to help it slice through the mix, however, and even though it’s never a problem to hear the various vocals on this track over the dense mix, a bit more high-mid and high presence would have balanced out the ominous bass presence.

Classical tracks, like John Adams’ “The Chairman Dances,” actually sound pretty exciting through the S100. It’s not a sound purists will gravitate towards, but the higher register strings hold their own in the mix quite well�partially because classical recordings naturally favor the mids and the highs and often lack much in the way of low-end thunder. Here, however, the S100 adds some power to the lower register strings and percussion. The balance is more favorable here than on pop tracks that already have plenty of low-end to work with, and it’s a sound that many listeners will enjoy.

If you prefer more balance in your earphones, you have plenty of options in this general price range. Consider the TDK EB950�22.49 at Amazon or the Jay t-Jays Three. If you want to spend less money but still want booming low-end in your mix, the SOL Republic Relays$79.99 at Verizon Wireless are a solid option, and the RHA MA150�10.95 at Amazon is a truly inexpensive, decent-sounding pair. For $100, however, the JBL S100 offers a bass lover’s mix that doesn’t overpower, and a thoughtful array of accessories. This price range has several winners, but for lovers of deep low-end, the JBL S100 is an option worth considering.

In case you have almost any issues with regards to where and the way to use Hytera PD782 walkie Talkie Accessory, you possibly can contact us from our website.

Westone W10 Review

Westone W10 Review
Whilst many of our visitors might be keen on some of my own writing, here�s one i found surfing around wordpress that is far better written than I could ever dream to achieve. Maybe someday I�ll get to this level, you never know.

At a time when most earphones are leaning towards the bass-heavy side of the spectrum, Westone still makes earphones that have a primary focus on the mids and highs. The Westone W10, at $199.95 (direct), is the entry-level model (believe it or not) in the manufacturer’s W line-up. Loaded with a plethora of accessories, including two detachable cables and several pairs of eartips, this is a secure-fitting option for music lovers who want natural�not booming� bass. There are some surprise distortion issues at maximum volume on deep bass tracks, but they disappear at reasonable listening levels, and thus shouldn’t be considered a deal breaker. Purists seeking balance, read on. Bass fans seeking gobs of subwoofer-like intensity, look elsewhere.

Westone tends to eschew flashy designs in favor of functionality, and the W10 is no exception. The earpieces are black, as are the eartips, and nothing really catches the eye except for the Westone logo on each ear. The cable snakes over the top and behind the ear, and the earpieces are placed in the canal upside down. It would’ve been nice to see a rigid, moldable stretch of cable at the connection point for each earpiece, as many competing models have in order to maintain a secure fit. Nevertheless, the W10, especially when used with the included Comply foam ear tips, manages a very secure fit without this cable feature.

The W10, like most Westone earphones, ships with a boatload of accessories, which always helps take the sting out of a high price tag. In addition to the whopping 10-pair mix of silicone and Comply foam eartips, which are color-coded, no less, so you can match the various sizes easily, the W10 includes a plastic hard shell carrying case, an ear wax cleaning tool, and a tiny tool for removing the faceplate on each earpiece. Yes, this means there are removable eartip faceplates, as welll: Three total, including the standard black pair that ships in place, as well as two sets of red/blue Left/Right indicator faceplates.Westone W10 inlinewestonewest

This is all in addition to the two included removable audio cables, one of which is braided and has no remote. The standard, non-braided cable has a remote control and microphone that lines up near chin-level, descending from the right earpiece.

Performance
On tracks with intense sub-bass content, like The Knife’s “Silent Shout,” the W10 delivers a healthy amount of bass, but nothing close to the boosted levels we hear on so many competing models these days. At maximum, very unsafe listening levels, the W10 actually distorts on this track, which is a disappointment given its price. However, no sane human will be monitoring at these levels, and dialing the volume back a tad�at levels still too loud for regular listening�the distortion disappears. What’s more noteworthy is how excellent the W10 sounds, in terms of overall balance. The sub-bass has punch to it, but most of the spotlight here is focused on the high-mids and highs. This is a crisp sound with some solid, natural bass presence.

This excellent balance shines on Bill Callahan’s “Drover,” lending his baritone vocals a perfect balance of crisp high-mid edge and richness in the low-mids. The drums here sound natural�they lack the thump that a bass-boosted pair would layer on them. The spotlight is clearly on Callahan’s vocals and the guitar strumming.

The kick drum loop on Jay-Z and Kanye West’s “No Church in the Wild” gets a solid amount of high-mid presence, which helps its sharp attack slice through the dense mix, while the sub-bass thumps that punctuate the beat are delivered with enough power to sound ominous, if not overwhelming. Fans of big bass will not love the W10’s focus on balance more than boom.

Classical tracks, like John Adams’ “The Chairman Dances,” definitely have a clear focus on the higher register strings, brass, and percussion through the W10. When the lower strings enter the mix, they lack the round, resonant sound they often have on bass-boosted pairs, which is a bit of a bummer�classical tracks tend to handle bass boosting gracefully, primarily because not much of their sounds exist in the sub-bass realm. So, with no real boosting here to speak of, the track can sound a little thin at times�but this is the flat-response sound many purists seek.

If you like the idea of a nicely balanced in-ear pair, but can’t quite afford the W10, the Klipsch X4i is a solid choice, while the TDK EB950is a well-balanced, far more affordable option. If it’s more bass you’re after, the SOL Republic Amps HD In-Ear Headphones$75.00 at Amazon and the Denon Urban Raver AH-C300 In-Ear Headphones both deliver power in the lows in their respective price ranges. One favorite pair of ours is the Editors’ Choice Klipsch X7i$189.00 at Rakuten, which costs the same and delivers a similar sound signature with no distortion. For $200, it’s a bummer that distortion ever enters the equation with the W10, but it does so at ear-splitting levels, so it’s not really a major issue. At normal listening levels, this is an excellent in-ear option for those who like a natural bass sound and well-defined high-mids.